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A book

First published 1976 · 382 pages

A charismatic, cocktail-in-hand recounting of a scrappy immigrant's rise to Hollywood royalty.

What it feels like

Reading this memoir feels like sitting in a smoky, glamorous nightclub while a master raconteur spins tales over a highball. The pace is brisk and bouncy, mirroring the infectious rhythm of a conga line, as the narrative sweeps you from pre-revolution Cuba to the dizzying heights of television history. The tone is remarkably candid and self-deprecating, balancing the glittering nostalgia of Golden Age Hollywood with a grounded, bittersweet honesty about personal failings and the heavy toll of fame. It is a warm, energetic, and deeply charming experience. Fans of classic entertainment and anyone who loves a scrappy, against-all-odds success story will devour this intimate portrait of a flawed but fiercely passionate pioneer.

Mood
  • glamorous
  • energetic
  • bittersweet
  • warm
Tone
  • candid
  • charming
  • wry
  • nostalgic
  • self-deprecating
Pace
brisk
Themes
the immigrant experience · Hollywood Golden Age · the price of fame · creative partnership · reinvention
The writing
Conversational, breezy, and infused with a charismatic, raconteur-like voice.
The arc
Moves from scrappy, optimistic ambition through the dizzying heights of fame to a reflective, bittersweet acceptance of life's complexities.
Who it's for
Fans of classic Hollywood, pop culture historians, and anyone who loves a juicy, heartfelt celebrity memoir.
Content notes
  • infidelity
  • alcoholism
  • divorce
  • political upheaval

About the book

Description ""Welcome to A Book, in which I try to explain how a kid from Cuba found a way to make a living in the United States. It's all here -- the good, the bad, the beautiful, the ugly, the unbelievably lucky breaks, and the heartbreaking failures. "Except for my first experience with sex, a major earthquake, and a revolution in which we managed to lose everything we had, life in Cuba was lovely. Exile in Miami was a time for survival, when I perfected many interesting trades such as mobile canary-cage cleaner and broken-mosaic-tile salesman. Father Barry and Al Capone, Jr., helped me finish high school. There I learned much about America and her people while carrying on my battle with her language. "While I was playing guitar and singing at the Roney Plaza in Miami Beach, Xavier Cugat offered me a job with his orchestra. I had to steal from the Waldorf-Astoria kitchen to live on what he paid me. What he taught me was worth a fortune. When I quit and went back to Miami, he sent me a small 'Latin' band. When they arrived, I knew I'd been had. In desperation I started beating the hell out of a big Afro-Cuban drum, and the conga was born in the U.S.A. It became a craze and got me all tangled up. Too Many Girls took me to Hollwood and Lucy. After that I decided to forget about too many girls. It was safer. "If you think those first two decades were a little crowded, wait until you read about the next two. I am sure you will understand about the milk girls and the Bingo girls, but Lucy didn't and filed to divorce Staff Sergeant Arnaz. "You will learn what Lucy and I had to do to convince people we could play husband and wife in I Love Lucy. Shortly afterward Lucie and Desi Jr. were born and our world was paradise. The irony of it all is how our undreamed-of success fame, and fortune turned it into hell. It wasn't easy to write about all of it, but as my son said, 'There's only one way to do it, Dad. Tell it like it was.'"

Description from Open Library.

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