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Cover of A Most Contagious Game

A Most Contagious Game

First published 2007 · 200 pages

A classic English village mystery where the serene facade of country retirement hides centuries-old secrets and dual crimes.

What it feels like

Reading this book feels like settling into a comfortable armchair in an old English manor, only to realize the walls are whispering with centuries of secrets. The pace is steady and deliberate, perfectly matching the rhythm of a quaint British village where outward serenity masks deep-rooted guilt. It offers a cozy yet secretive mood, drawing the reader into a dual-layered puzzle that bridges the modern day with historical intrigue. The prose is traditional and observant, guiding the reader through a satisfying emotional arc from quiet retirement to active deduction. It is an absolute delight for fans of classic mysteries who relish the collision of past and present, and who love watching long-buried skeletons finally be laid to rest.

Mood
  • secretive
  • quaint
  • atmospheric
  • cozy
Tone
  • observant
  • traditional
  • intriguing
  • understated
Pace
steady
Themes
hidden histories · village secrets · the weight of the past · deceptive appearances
The writing
Classic and measured, delivering traditional British mystery tropes with a focus on historical detail and quiet deduction.
The arc
Moves from the peaceful anticipation of a quiet country retirement to an engaging, dual-layered curiosity, culminating in the satisfying resolution of long-buried truths.
Who it's for
Readers who love classic English village mysteries where historical puzzles intertwine with modern misdeeds.
Content notes
  • murder

About the book

From fantasticfiction dot com: "When Thomas Harding retired to the Manor House of Easterbrook he soon discovered that it contained rather more than the house-agents had advertised. It became apparent, more-over, that Easterbrook, despite its outward serenity, had more than one skeleton in the parish cupboard. What for instance was the guilty secret which the village seemed to share with the ancient family of the Barbarys, and what connection could there be between this and the handiwork of an Elizabethan craftsman? Intrigued by these questions, Thomas Harding found himself helping to solve two crimes at once-the one modern, and the other one-and-a-half centuries old. And it was only after he had found the answers to these questions that the various skeletons could he laid to rest." This is Aird's only book that does not feature Detective Inspector Sloan and the Calleshire police, and like her other mysteries, it does not disappoint.

Description from Open Library.

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