Books › A star called Henry

A star called Henry
First published 1999 · 497 pages
A fiercely energetic, darkly comic romp through the blood and grime of a nation's birth, told by a streetwise rogue.
What it feels like
Reading this book feels like being grabbed by the collar and dragged through the muddy, blood-soaked streets of early twentieth-century Dublin. It is fiercely propulsive and unapologetically loud, driven by a narrator whose voice is a brilliant collision of streetwise cynicism and tall-tale mythmaking. The prose crackles with kinetic energy, blending dark, irreverent humor with the grim realities of extreme poverty and guerrilla warfare. You are immersed in a chaotic, grimy atmosphere where the romanticized heroes of history are stripped of their polish, revealing the brutal, messy human cost of revolution. It will absolutely delight readers who crave voice-driven historical fiction that trades polite period drama for grit, swagger, and a deeply unsentimental look at the birth of a nation.
- Mood
- grimy
- chaotic
- exuberant
- blood-soaked
- Tone
- irreverent
- darkly comic
- cynical
- mythic
- gritty
- Pace
- propulsive
- Themes
- mythmaking and history · loss of innocence · brutality of poverty · disillusionment of revolution · survival
- The writing
- Kinetic, colloquial, and fiercely rhythmic, blending sharp Dublin street slang with larger-than-life tall-tale lyricism.
- The arc
- Moves from the exuberant, invincible swagger of a street-smart youth to the grim, heavy disillusionment of a hardened killer.
- Who it's for
- Readers who love gritty, voice-driven historical fiction that strips the romanticism away from national myths in favor of blood, mud, and dark humor.
Content notes
- graphic violence
- child death
- extreme poverty and starvation
- sexual content
- profanity
About the book
Doyle at his best- his portrait of turn-of-the-century Dublin's dark side is masterful. There is a Dickensian richness to language and character' The TimesBorn in the Dublin slums of 1901, his father a one-legged whorehouse bouncer and settler of scores, Henry Smart has to grow up fast. By the time he can walk he's out robbing and begging, often cold and always hungry, but a prince of the streets. By Easter Monday, 1916, he's fourteen years old and already six-foot-two, a soldier in the Irish Citizen Army. A year later he's ready to die for Ireland again, a rebel, a Fenian and a killer. With his father's wooden leg as his weapon, Henry becomes a Republican legend - one of Michael Collins' boys, a cop killer, an assassin on a stolen bike.
Description from Open Library.
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