Books › Cymbeline

Cymbeline
First published 1980 · 556 pages
A sprawling, tragicomic fairy tale where bitter betrayals and perilous wanderings ultimately dissolve into miraculous, breathless forgiveness.
What it feels like
Reading this play feels like wandering through a dense, mythical forest where the rules of reality constantly shift. It is a sprawling, tragicomic tapestry that weaves together the darkest threads of jealousy and betrayal with the golden, pastoral light of a fairy tale. The pace is meandering, taking its time to explore misty British landscapes and Roman courts before accelerating into a dizzying, breathless cascade of revelations in its final act. The language is dense, knotty, and breathtakingly poetic, demanding a reader willing to savor its intricate rhythms. It is a deeply atmospheric experience, shifting from dread-soaked court intrigue to sun-warmed pastoral innocence. This is a perfect match for those who love genre-bending stories where profound grief miraculously gives way to hard-won reconciliation and awe.
- Mood
- fairy-tale
- pastoral
- melancholic
- sweeping
- Tone
- melodramatic
- earnest
- tragicomic
- theatrical
- Pace
- meandering
- Themes
- fragility of trust · pain of exile · restorative power of nature · forgiveness and reconciliation · destructive jealousy
- The writing
- Dense, highly poetic, and intricately layered with late-Shakespearean syntax that demands careful, rewarding unraveling.
- The arc
- Moves from bitter betrayal and perilous exile through a sprawling wilderness, culminating in a miraculous, breathless cascade of forgiveness and reunion.
- Who it's for
- Readers who love sprawling, genre-bending fairy tales where tragedy and comedy collide, and who appreciate complex, poetic language.
Content notes
- betrayal
- false accusations of infidelity
- implied violence
- poisoning
- kidnapping
About the book
Cymbeline, King of Britain is one of the best-known works of William Shakespeare. It is a romantic play interwoven with war and tragedy. It revolves around Cymbeline and his daughter, Imogen. Imogen does not abide by her father's wishes and marries a lowborn gentleman, Posthumous. After their marriage, Posthumous is banished from Britain, and Imogen is held as a prisoner in the palace. As the play unfolds, the evil plots of the queen, Imogen's stepmother, the jealousy of Posthumous, and the loyalty of Imogen come to light.
Description from Open Library.
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