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Cover of Lullaby

Lullaby

First published 2002 · 352 pages

A pitch-black, rhythmic descent into modern alienation where words are literal weapons and grief manifests as a chaotic, blood-soaked road trip.

What it feels like

Reading this book feels like being trapped in a speeding car with a brilliant, deeply cynical maniac. It is a pitch-black, transgressive road trip that weaponizes language, turning the very act of reading into an exercise in complicity. The prose is aggressively rhythmic, hammering its motifs into your brain with a minimalist, deadpan cadence that mirrors the protagonist's numb detachment. As the narrative accelerates, the atmosphere grows increasingly grimy, chaotic, and surreal, suffocating the reader in a world where modern consumerism and ancient magic violently collide. It is a deeply uncomfortable but magnetic experience, perfect for readers who crave biting satire, grotesque humor, and a merciless dissection of grief, power, and the toxic decay of the American dream.

Mood
  • grimy
  • macabre
  • chaotic
  • surreal
Tone
  • cynical
  • satirical
  • deadpan
  • sardonic
  • transgressive
Pace
propulsive
Themes
the weaponization of language · modern alienation · corrupting nature of power · unprocessed grief · toxic consumerism
The writing
Aggressively rhythmic and minimalist, utilizing sharp, repetitive motifs and punchy, cynical observations to hypnotize the reader.
The arc
Begins in a state of numb, detached grief and accelerates into a chaotic, desperate spiral of obsession and moral decay.
Who it's for
Fans of dark, transgressive satire who enjoy exploring the grotesque, absurd underbelly of modern society.
Content notes
  • sudden infant death syndrome
  • child death
  • graphic violence
  • animal cruelty
  • misanthropy

About the book

"Carl Streator is a solitary widower and fortyish newspaper reporter who is assigned to do a series of articles on Sudden Infant Death Syndrome.

In the course of this investigation, he discovers an ominous thread: the presence on the scenes of these deaths of the anthology Poems and Rhymes Around the World, opened to the page where there appears an African chant or "culling song." This song turns out to be lethal when spoken or even thought in anyone's direction - and once it lodges in Streator's brain, he finds himself becoming an involuntary serial killer. So he teams up with a real estate broker, one Helen Hoover Boyle, who specializes in selling haunted (or "distressed") houses (wonderfully high turnover), and who lost a child to the culling song years before. Together they set out on a cross-country odyssey. Their goal is to remove all copies of the book from libraries, lest this deadly verbal virus spread and wipe out human life.

Accompanying them on their road trip are Helen's assistant, Mona Sabbat, an exquisitely earnest Wiccan, and her sardonic ecoterrorist boyfriend, Oyster, who is running a scam involving fake liability claims and business blackmail. Welcome to the new nuclear family."--BOOK JACKET.

Description from Open Library.

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