Books › Night Film
Night Film
864 pages
A multimedia descent into a cinematic rabbit hole where the boundary between art and terrifying reality dissolves.
What it feels like
Reading this book feels like falling down a 3:00 AM internet rabbit hole that slowly bleeds into your waking life. It is a deeply immersive, dread-soaked experience, propelled by a mix of traditional narrative and multimedia artifacts—fictional news clippings, police reports, and dark web forums—that make the central mystery feel terrifyingly real. The prose blends the cynical edge of a hardboiled detective novel with the lush, creeping paranoia of modern gothic horror. As the investigation spirals deeper into the mythos of a reclusive, cult-status filmmaker, the atmosphere grows increasingly claustrophobic and surreal. It is a labyrinthine, obsessive read perfect for those who love stories about the dangerous, intoxicating power of art and the terrifying allure of the unknown.
- Mood
- dread-soaked
- labyrinthine
- eerie
- cinematic
- claustrophobic
- Tone
- obsessive
- cynical
- paranoid
- investigative
- Pace
- propulsive
- Themes
- blurring of art and reality · obsessive pursuit of truth · the mythos of the artist · the seduction of the unknown · parental legacy
- The writing
- Dense, multimedia-rich, and highly descriptive, blending hardboiled noir tropes with lush, gothic flourishes.
- The arc
- Begins as a grounded, cynical investigation and spirals into a disorienting, paranoid descent into madness before reaching an ambiguous, haunting plateau.
- Who it's for
- Readers who love falling down internet rabbit holes, mixed-media storytelling, and atmospheric mysteries that blur the line between the supernatural and the psychological.
Content notes
- suicide
- psychological manipulation
- child abuse (discussed)
- violence
- drug use
About the book
Ashley Cordova is dead. Scott McGrath, a veteran investigative journalist wants to know why. The reason why the death of this beautiful, young woman has piqued his interest so much is because of who her father is. He is Stanislas Cordova, the world famous director of strange cult/horror films that hasn't been seen publicly in over thirty years. The last time McGrath got involved with Cordova he lost his marriage, child, and career. This time he might lose everything else. With the aid of two strangers, McGrath takes a strange and psychedelic journey where not everything in front is real and what is real is more horrifying than anything that Cordova has put on screen.
Description from Open Library.
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