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Poems and Fragments
255 pages
A sun-drenched, fragmented transmission of ancient desire that feels startlingly intimate and modern.
What it feels like
Reading this collection feels like holding shattered pieces of ancient pottery, each shard vibrating with a startlingly modern pulse of desire. The experience is inherently leisurely and contemplative; you are forced to linger in the white space of lost words and let the surviving fragments echo. The mood is sun-drenched and sensual, steeped in the salt air of the Aegean and the heavy perfume of garlands, yet shadowed by the melancholy of time's passage. The translation captures a voice that is direct, intimate, and fiercely passionate, stripping away academic dust to reveal raw human yearning. It is a perfect read for those who find beauty in ruins and who crave poetry that speaks across millennia with the urgency of a whispered secret.
- Mood
- sun-drenched
- sensual
- melancholic
- ethereal
- Tone
- intimate
- passionate
- direct
- yearning
- Pace
- leisurely
- Themes
- the ache of desire · female intimacy · memory and loss · the beauty of the natural world · the passage of time
- The writing
- Stripped-down, immediate, and intensely lyrical, with the white space of missing words speaking as loudly as the surviving text.
- The arc
- A fragmented journey through the intense peaks of erotic desire and the quiet valleys of longing and memory.
- Who it's for
- Readers who love classical antiquity, queer history, and poetry that feels like a whispered secret across millennia.
Content notes
- erotic themes
- grief and loss
About the book
Little remains today of the writings of the archaic Greek poet Sappho (fl. late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse.
Stanley Lombardo's translations give us a virtuoso embodiment of Sappho's voice, whose telltale charm, authority, immediacy, directness, intensity, and sudden changes of tone are among the hallmarks of his masterly translation.
Pamela Gordon introduces us to the world of Sappho, discusses questions surrounding the transmission of her manuscripts, offers advice on reading these texts, and concludes with an enlightening discussion of same-sex desire in Sappho.
Description from Open Library.
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