Books › Smash Cut

Smash Cut
First published 2009 · 719 pages
A glossy, high-stakes legal thriller where cinematic obsession and deadly secrets collide in the upper echelons of Atlanta society.
What it feels like
Reading this book feels like watching a slick, high-budget Hollywood thriller where everyone has a secret and no one can be trusted. The narrative moves at a propulsive clip, dragging the reader through the opulent, shadowy world of Atlanta's elite, where immense wealth breeds dangerous obsessions. The mood is tense and glamorous, steeped in a cinematic atmosphere that blurs the line between reality and twisted fantasy. The prose is punchy and dialogue-driven, perfectly calibrated to deliver shocking twists and simmering romantic tension without missing a beat. It is a deliciously dramatic ride designed for readers who devour fast-paced legal thrillers packed with morally ambiguous characters, fatal attractions, and courtroom theatrics that keep you guessing until the final frame.
- Mood
- tense
- glamorous
- cinematic
- shadowy
- high-stakes
- Tone
- suspenseful
- dramatic
- slick
- sensational
- cynical
- Pace
- propulsive
- Themes
- dangerous obsessions · corrupting power of wealth · blurred reality · fatal attraction · justice versus the law
- The writing
- Punchy, cinematic, and dialogue-heavy, designed to keep the pages turning at breakneck speed.
- The arc
- Starts with shocking violence and intrigue, spirals into a tense game of cat-and-mouse, and culminates in a breathless, twisty climax.
- Who it's for
- Fans of glossy, high-stakes romantic suspense and legal thrillers who love wealthy, morally ambiguous characters and cinematic twists.
Content notes
- murder
- gun violence
- sexual content
- manipulation
- stalking
About the book
Paul Wheeler. CEO of the Wheeler Enterprises empire. At age fifty-two, he's a pillar of Atlanta society and a brilliant businessman. But Paul is out of the picture even before the opening credits -- shot dead during an armed robbery.
Julie Rutledge. A savvy, cultured, and attractive Southern woman, seasoned by a stint of study and romance in Paris. She owns the city's most successful and sophisticated art gallery on Peachtree Street. She was also Paul Wheeler's weekly companion at the hotel where he was murdered and was hand in hand with him at the time of his death.
Derek Mitchell. A defense lawyer of renown. Successful, handsome, and despised by the Atlanta PD for his courtroom victories, he goes to the mat to make a case for every client - and headlines for himself. A guilty verdict is not an option. Yet he's not entirely without a conscience, as proven when his life takes a terrible turn toward the cinematic.
Creighton Wheeler. The prodigal nephew of Paul. With movie-star looks and guileless blue eyes, the twenty-eight-year-old playboy has a penchant for call girls, fast cars, and designer clothes. But his passion is movies. He studies them, quotes them...and lives them. Even those closest to Creighton can't be sure when he exits reality and enters the fantasy world of films.
The murder of Paul Wheeler has all the elements of a blockbuster: family rivalries, incalculable wealth, and a prominent man dying in the arms of his beautiful mistress. It's a case that could earn Derek Mitchell even greater star power. When the Wheeler family approaches him about defending Creighton for his uncle's murder -- even before he's charged -- he jumps at the chance.
But Derek soon discovers that Julie will stop at nothing to secure justice for Paul -- and that includes preventing Derek from defending Creighton. Infuriated, Derek realizes that his hands have been tied in a way that could not only cost him the case, but ruin his entire career.
Although Creighton has a rock-solid alibi, Julie is convinced that he is responsible for Paul's murder. But the homicide detectives have another theory. Caught in several lies, and keeping secrets from Derek and the police, Julie is suspected of casting blame on Creighton to cover her own crime. Meanwhile, Derek fears he's once again being duped...yet he burns with jealousy when he thinks of Julie with her late lover.
Description from Open Library.
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