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Cover of Taken over by the billionaire

Taken over by the billionaire

251 pages

A high-octane clash of wills where professional resentment fuels an undeniable, steamy attraction.

What it feels like

This brisk, charged romance thrives on the electric tension of a power imbalance. The narrative plunges the reader into a steamy, high-stakes atmosphere where professional boundaries are constantly tested by overwhelming physical attraction. The prose is direct and focused on the sensory pull between a commanding, wealthy entrepreneur and a straight-talking heroine who refuses to be easily impressed, even as she battles her own desires. It feels like a collision course of wills, moving swiftly from simmering resentment over a lost job to an inevitable, passionate surrender. Readers who devour classic boss-employee dynamics and enemies-to-lovers tension will find themselves completely swept up in this dramatic, fast-paced battle of the sexes.

Mood
  • steamy
  • tense
  • charged
Tone
  • seductive
  • playful
  • dramatic
  • direct
Pace
brisk
Themes
workplace power dynamics · irresistible attraction · class differences · surrender and control
The writing
Direct and fast-paced, heavily focused on the sensory details of physical attraction and internal longing.
The arc
Moves from professional resentment and guarded boundaries to overwhelming, undeniable surrender.
Who it's for
Readers who love high-stakes romance dynamics featuring a strong, straight-talking heroine and a wealthy, commanding hero.
Content notes
  • power imbalance
  • workplace romance dynamics

About the book

Driven to distraction... Hotshot entrepreneur Benjamin Da Silva is used to being in the driving seat, but when he finds himself in need of a chauffeur, beautiful, straight-talking Jess Murphy proves that sometimes taking his foot off the pedal can be equally pleasurable!

Jess isn’t impressed by his wealth but each glimpse in the rear-view mirror has her aching to climb into the backseat and submit to Benjamin’s every command. His recent takeover cost her her job and she knows she should steer clear – so why can’t she get off the collision course leading right towards Benjamin?

Description from Open Library.

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