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Cover of The Golden House

The Golden House

400 pages

A feverish, maximalist tragedy that skewers the excesses and anxieties of contemporary America through the lens of a doomed, wealthy family.

What it feels like

Reading this novel feels like attending a lavish, chaotic masquerade ball on the edge of a crumbling empire. It is a feverish, maximalist experience, driven by an exuberant narrative voice that relentlessly blurs the line between cinematic illusion and harsh reality. The prose is dense and erudite, overflowing with pop culture and literary allusions that demand your full attention, yet the pacing remains surprisingly brisk as the operatic family drama unfolds. You are pulled into a world of glittering opulence and dark secrets, experiencing the same voyeuristic thrill as the narrator. It will delight readers who crave sweeping, ambitious social satires that capture the surreal, tragicomic zeitgeist of modern America with biting wit and theatrical flair.

Mood
  • opulent
  • feverish
  • theatrical
  • chaotic
Tone
  • satirical
  • operatic
  • erudite
  • cynical
  • exuberant
Pace
brisk
Themes
the illusion of reinvention · decay of empire · corrupting power of wealth · art versus reality · identity and masks
The writing
Maximalist and breathless, overflowing with cinematic references, literary allusions, and sprawling, energetic sentences.
The arc
Moves from breathless, voyeuristic fascination into a chaotic, tragic reckoning with reality.
Who it's for
Lovers of ambitious, sprawling social satires who enjoy dissecting the absurdities of modern politics and extreme wealth.
Content notes
  • alcoholism
  • suicide
  • violence
  • sexual content
  • mental illness

About the book

"A modern American epic set against the panorama of contemporary politics and culture--a hurtling, page-turning mystery that is equal parts The Great Gatsby and The Bonfire of the Vanities On the day of Barack Obama's inauguration, an enigmatic billionaire from foreign shores takes up residence in the architectural jewel of "the Gardens," a cloistered community in New York's Greenwich Village. The neighborhood is a bubble within a bubble, and the residents are immediately intrigued by the eccentric newcomer and his family. Along with his improbable name, untraceable accent, and unmistakable whiff of danger, Nero Golden has brought along his three adult sons: agoraphobic, alcoholic Petya, a brilliant recluse with a tortured mind; Apu, the flamboyant artist, sexually and spiritually omnivorous, famous on twenty blocks; and D, at twenty-two the baby of the family, harboring an explosive secret even from himself. There is no mother, no wife; at least not until Vasilisa, a sleek Russian expat, snags the septuagenarian Nero, becoming the queen to his king--a queen in want of an heir. Our guide to the Goldens' world is their neighbor Rene, an ambitious young filmmaker. Researching a movie about the Goldens, he ingratiates himself into their household. Seduced by their mystique, he is inevitably implicated in their quarrels, their infidelities, and, indeed, their crimes. Meanwhile, like a bad joke, a certain comic-book villain embarks upon a crass presidential run that turns New York upside-down. Set against the strange and exuberant backdrop of current American culture and politics, The Golden House also marks Salman Rushdie's triumphant and exciting return to realism. The result is a modern epic of love and terrorism, loss and reinvention--a powerful, timely story told with the daring and panache that make Salman Rushdie a force of light in our dark new age. Advance praise for The Golden House "A ravishingly well-told, deeply knowledgeable, magnificently insightful, and righteously outraged epic which poses timeless questions about the human condition. As Rushdie's blazing tale surges toward its crescendo, life, as it always has, rises stubbornly from the ashes, as does love."--Booklist (starred review) "Where Tom Wolfe's Bonfire of the Vanities sent up the go-go, me-me Reagan/Bush era, Rushdie's latest novel captures the existential uncertainties of the anxious Obama years. A sort of Great Gatsby for our time: everyone is implicated, no one is innocent, and no one comes out unscathed."--Kirkus Reviews (starred review)"--

Description from Open Library.

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